At a glance

SystemReference looks likeWhat it isWatch for
RAL ClassicRAL 7016 (four digits)216 colours; the first digit is the colour family. The usual reference for powder coat and paint on metal.Fixes hue only: not gloss, texture or effect. Each maker mixes to it, so two makers' RAL 7016 are two products.
RAL Design System plusRAL 270 30 20 (hue, lightness, chroma)1,825 colours on a CIE L*a*b* basis, for precise colour choice.A coater may have to match it to order: ask.
RAL EffectThree digits, a hyphen, a suffix (M for metallic)490 colours, 70 of them metallic; most used in industrial powder coating.Metallic effects change with angle, batch and application.
BS 4800:2011Two digits, a letter, two digitsA schedule of building-paint colours. Withdrawn by BSI on 5 November 2024.Still on old specifications and some fans. Match from a sample.
BS 381C:1996A number and a name91 colours for identification, coding and special purposes. BSI lists it as current.Not a coordinated range and not tied to paint: use it where a specification calls for it.
NCSNCS S 2030-Y90R (blackness, chromaticness, hue)A system that describes how a colour looks. S means the standard collection.Not a powder reference: a coater maps it to the nearest product. Agree a tolerance.
Maker's colour and approved sampleA product code; a sample ref and dateWhat is actually mixed or coated, and the coated sample on the real metal. Anodised and PVD colours have their own names, not RAL.Name the maker's colour with the reference it matched, and the batch. The sample is the final authority.

Counts and numbering from RAL's FAQ and the BSI listings, read 5 November 2026. Conversions between systems are approximate: see the section on converting.

What each reference can and cannot do

RAL gGmbH does not make paint. Its FAQ says RAL does not sell or manufacture coatings, and that its three collections are independent of each other. Powder makers and paint makers mix to a RAL reference: the reference is the target, not the product.

  • RAL Classic. 216 colours with four-digit numbers. The first digit is systematic, running from 1 for yellow to 9 for white and black, and the other three are assigned in turn. Some trade pages still say 213.
  • RAL Design System plus. 1,825 colours based on the CIE L*a*b* system (DIN EN ISO 11664-4), with seven-digit numbers: three digits for hue, then lightness, then chroma. RAL 270 30 20 is a dark blue.
  • RAL Effect. 490 colours, 70 of them metallic and 420 plain, including 100 of the most popular Classic colours. RAL notes that its most frequent use is industrial powder coating.
  • BS 4800. BSI withdrew BS 4800:2011, Schedule of paint colours for building purposes, on 5 November 2024, and its page names no replacement. Some standards resellers still show it as current. Where an old drawing says BS 4800, treat it as a reference to an existing colour and match from a sample.
  • BS 381C. BSI lists BS 381C SET:1996 (R2002) as current: 91 colours, each with colourimetric data, for identification, coding and special purposes, often used where safety, legal or contractual requirements call for a named colour. Standards New Zealand's listing adds that they are not a coordinated range and not limited to any medium. It is not a palette for interiors.
  • NCS. A colour system based on how colours look. A notation such as S 2030-Y90R reads backwards: the hue (Y90R is mostly red, with a little yellow), then chromaticness (30) and blackness (20). The S shows the colour is in the standard collection.

Naming a colour so it cannot be misread

A colour reference answers one question: which hue? A coater needs five more answers, or two coaters can both be right and still not match. Write all six into the specification.

  1. Colour. The system, the number and the collection: RAL Classic 7016, not “anthracite”.
  2. Made by. The powder or paint maker and its product code. A powder maker's technical sheet says powders are formulated to colour standards such as RAL, but that complete batch-to-batch consistency cannot be guaranteed. Naming the product lets a later order use the same one.
  3. Gloss. Gloss units at a stated angle, with a tolerance, not a word. See the next section.
  4. Texture. Smooth, fine or coarse. Texture changes how a colour and its gloss read, and the gloss standard does not cover textured coatings.
  5. Effect and batch. Plain or metallic, and one batch for each visible run. Reorders should quote the original batch number.
  6. Proof. An approved sample on the real metal, dated and kept, that governs if the numbers and the sample disagree.

Printed charts and screens do not settle a colour. RAL says that four-colour printing does not reproduce all RAL shades in their true colour, and that printed charts are guides: its binding templates are RAL 840-HR, RAL 841-GL and RAL E1.

The six parts of a colour call-out for coated metal, and how much a colour reference fixesSix boxes in a row. One: reference system and number, for example RAL Classic 7016. Two: who mixes it, the powder maker and its product code. Three: gloss, for example 30 GU plus or minus 5 at 60 degrees to ISO 2813. Four: texture, for example smooth or fine. Five: effect and batch, plain or metallic, one batch for the run. Six: proof, an approved sample reference. A bracket shows that a colour reference alone fixes only the first box; the other five must be added.SCHEMATIC: what a complete call-out contains (example values only)1ColourRAL Classic70162Made byPowder maker[product ref]3Gloss30 GU ±560°, ISO 28134TextureSmooth[or fine]5EffectPlain,one batch6ProofApprovedsample [ref]A referencefixes only thisThe specification has to add these fiveor two coaters can both be right and still not match
The six parts of a colour call-out for coated metal. Original schematic by Make Bespoke Studio; the values are examples only.

Gloss: say it in gloss units, at an angle

Matt, satin and gloss are not fixed bands. Gloss is measured with a glossmeter in gloss units (GU) at a stated angle. BS EN ISO 2813:2014 gives the method at 20, 60 or 85 degrees, and per the BSI listing it is suitable for non-textured coatings on plane, opaque substrates. On other specimens, comparative readings are possible, but the numbers may not match what the eye sees.

The usual angle is 60 degrees. A PCI Magazine article on gloss units notes that 85 degrees separates low-gloss surfaces better (below 10 GU at 60 degrees) and 20 degrees separates high-gloss ones (above 70 GU at 60 degrees). Always say the angle.

The words differ between suppliers, as the chart shows. The same part of the scale is “medium” in one list, “semi-glossy” in another and “satin” in a third.

Gloss bands for powder coating as three suppliers publish them, on a scale of gloss unitsA scale from 0 to 100 gloss units. Row one, one powder maker at 60 degrees: matt 0 to 30, semi-matt 31 to 50, semi-glossy 51 to 70, glossy 71 to 95. Row two, another powder maker at 60 degrees: low 15 to 30, medium 31 to 74, high above 75. Row three, an aluminium coater with no angle stated: matt about 30, satin 60 to 70, gloss 80 and above. Row four, which measuring angle practice uses: 85 degrees below 10 gloss units at 60 degrees, 60 degrees in between, 20 degrees above 70. The word satin is used in row three only, at 60 to 70; the same part of the scale is semi-glossy in row one and medium in row two.SCHEMATIC CHART: published bands, which differ by supplier020406080100Gloss units (GU); rows A to C are quoted at 60 degrees unless statedA One powder makerat 60 degreesB Another powder makerat 60 degreesC An aluminium coaterangle not statedD Angle to measure atpractice, not a bandmattsemi-mattsemi-glossyglossylowmediumhighmatt about 30satingloss 80+85°60° (the usual reading)20°
Gloss bands as three suppliers publish them (row C plotted as GU). Original chart by Make Bespoke Studio; supplier ranges, not limits.

Tolerance, and what the eye can see

The eye is more sensitive to a gloss difference on a matt surface than on a glossy one. The PCI article says a 3 GU difference is visible on a matt surface near 5 GU but extremely difficult to notice near 60 GU, and suggests setting tolerances with samples reviewed by the client or an expert.

PCI's comparison table (March 2021) lists the gloss tolerances in two architectural powder-coating schemes. Qualicoat's tests allow ±5 at 0 to 30, ±7 at 31 to 70 and ±10 at 71 to 100, and the GSB scheme allows ±5 GU for 2 to 15 GU, ±10 for 16 to 60 and ±15 above 60. Those are approval-test limits on test panels, not what a project must demand. They do show the shape of a sensible tolerance: tighter at the matt end, wider as the surface gets glossier. A call-out such as 30 GU ±5 at 60 degrees sits inside that pattern.

For a textured finish, do not rely on a meter reading at all: agree the gloss by the approved sample.

Cautions that are specific to metal

  • Metallic and pearl powders. A powder maker's sheet says batch-to-batch consistency is comparable to plain powders but not guaranteed, and that the application process and equipment also change the colour and effect. It asks that a whole job be run on the same line at the same settings, advises upper and lower tolerance samples before production, and says coating by hand is likely to vary. Where panels sit side by side, all must be coated in the same orientation so the effect matches. Outdoors, a clear top coat is usually needed.
  • Film thickness. The same sheet notes that variations in coating thickness cause colour and effect differences. Ask the coater how it controls thickness on edges and returns.
  • Anodised, PVD and coloured stainless. These colours are not RAL. Euro Inox notes that EN 10088-2 designates coloured flat stainless as finish 2L, that the standard does not stipulate specific colours, and that colour is agreed between specifier and supplier. Samples should be viewed under the lighting at the building.
  • Real metal, real light. Approve the colour and gloss together on the actual part or a sample of the same metal, not on a chart, and see it under the project lighting. Chart and screen are only the starting point.

The finishes themselves are covered in our sheets on stainless finish codes, PVD coatings and ironmongery finish codes, and care of coated metal is on cleaning and maintaining metal finishes.

Converting between systems

We found no official conversion between RAL and BS 4800, or between either and NCS, in the sources we read. The tables published online are nearest-match lists made by paint makers and converters. Treat one as a way to start a conversation, not as a specification.

  • For a new job, name the reference the coater will actually mix to. For powder coat that is usually RAL Classic. Name an NCS or other reference as design intent, with a sample.
  • To match old BS 4800 work, take the existing painted surface as the reference. Ask for a spectrophotometer reading of it, agree a colour-difference tolerance (ΔE) and the light it is judged under, have the coater make a panel on the real metal at the right gloss, and approve the panel.
  • Colour difference (ΔE) is an instrument number for how far apart two colours are. It is only useful with a tolerance and a light source agreed in writing.

Specification wording

Paste into your schedule or specification and replace anything in [square brackets] with your own figures. Wording is a starting point: your specification governs.

Powder-coated element
Finish: polyester powder coat, colour [RAL 7016] (RAL Classic), by [powder manufacturer], product [reference]. Gloss [30] GU [+/- 5] at 60 degrees to EN ISO 2813 (edition [ ]) on a plain flat panel. Texture [smooth]. One batch for the visible run [batch no.]. Approved sample [ref. __] governs.
Metallic or textured powder coat
Finish: [metallic] polyester powder coat, [RAL ____ / maker's reference]. One visible run on the same line, at the same settings, in the same orientation, from one batch. Tolerance samples [ref. __] approved before production. Textured gloss judged by sample, not meter.
Matching an existing finish
Colour to match the existing [metalwork, formerly BS 4800 ref. __, a withdrawn standard]. Contractor to take a [spectrophotometer reading] at [location], propose the nearest [RAL / maker] reference and submit a coated panel on [the specified metal]. Tolerance [dE not more than __] under [light source].
Anodised, PVD or coloured stainless
Colour is defined by approved sample [ref. __], not by RAL. The finisher is to state the process, the sample's colour reference and the batch.

Terms used on this page

BS 4800
A British Standard schedule of paint colours for building purposes. BSI withdrew BS 4800:2011 on 5 November 2024.
Gloss unit (GU)
A measured value of how shiny a surface is, read with a glossmeter at a stated angle, usually 60 degrees. A polished black glass reference reads 100 GU.

All metalwork terms

Standards and sources

Questions we are asked

Is BS 4800 still current?

No. BSI lists BS 4800:2011 as withdrawn on 5 November 2024 and names no replacement on its page, although some standards resellers still show it as current. Colours from it still appear on older specifications and some paint fans, so match to a physical sample.

What is the difference between RAL Classic and RAL Design System plus?

RAL Classic has 216 colours with four-digit numbers and is the usual reference for powder coat. RAL Design System plus has 1,825 colours with seven-digit hue, lightness and chroma numbers on a CIE L*a*b* basis. RAL Effect adds 490 colours, 70 of them metallic. RAL says the collections are independent of each other.

Can I convert RAL 7016 to BS 4800 or NCS?

Not officially. We found no published conversion in the sources we read. Online tables are nearest-match lists. Name the reference the coater will mix to, and approve a physical sample on the real metal.

What gloss level is satin?

There is no fixed answer. One powder maker's list calls 51 to 70 GU semi-glossy, another calls 31 to 74 medium, and an aluminium coater puts satin at 60 to 70. Ask for a number: gloss units at 60 degrees with a tolerance.

How do I specify gloss on powder-coated metal?

Give gloss units, the angle and the standard, for example 30 GU, plus or minus 5, at 60 degrees to EN ISO 2813, on a plain panel. For a textured finish, agree gloss by the approved sample because the standard covers non-textured coatings.

Does a RAL number define gloss?

No. It identifies a colour. RAL's FAQ addresses colour, not gloss, and an aluminium coater's guide says to state the gloss level because the code defines only the hue.

Why does the same RAL colour look different on two metal items?

Different makers' powders, different batches, a different gloss or texture, metallic flakes lying in a different direction, and different film thickness can all move the result. Fix the maker, the batch, the gloss, the orientation and an approved sample.

Download the factsheet

A two-page A4 PDF with the colour systems compared, the call-out diagram, the gloss chart and specification wording, to keep with your project file.

Factsheet TL-MET-12 v1.0 (PDF)